Las óleos de todo Gaspard Dughet


ID Image  Painting (From A to Z)       Details 
29238  
Gaspard Dughet, Details of Landscape with Lightning
 
 Details of Landscape with Lightning   mk65 Details
28483  
Gaspard Dughet, Landcape with Lightning
 
 Landcape with Lightning   mk60 1665 Oil on canvas 16x24 1/4"
30039  
Gaspard Dughet, Landscape with a Dancing Faun
 
 Landscape with a Dancing Faun   mk67 Oil on canvas 20 1/2x34 1/4in Pitti,Palatine Gallery
29235  
Gaspard Dughet, Landscape with Lightning
 
 Landscape with Lightning   mk65 1665 Oil on canvas 16x24 1/2"
33608  
Gaspard Dughet, Landscape with St Augustine and the Mystery of the Trinity
 
 Landscape with St Augustine and the Mystery of the Trinity   mk86 c.1651-1653 Oil on canvas 278.5x385.5cm Rome
1021  
Gaspard Dughet, Landscape with St.Augustine and the Mystery of the Trinity
 
 Landscape with St.Augustine and the Mystery of the Trinity   1651-53 Galleria Doria-Pamphilj, Rome

Gaspard Dughet
1615-1675 French Gaspard Dughet Location Italian painter. He was one of the most distinguished landscape painters working in Rome in the 17th century, painting decorative frescoes and many easel paintings for such major Roman patrons as Pope Innocent X and the Colonna family. He is associated with a new genre of landscape, the storm scene, although of some 400 catalogued works little more than 30 treat this theme. His most characteristic works depict the beauty of the scenery around Rome, particularly near Tivoli, and suggest the shifting patterns of light and shade across a rugged terrain. Dughet drew from nature, yet his landscapes are carefully structured, and figures in antique dress suggest the ancient beauty of a landscape celebrated by Virgil. Very few can be securely dated; his development may be inferred from his few dated fresco paintings and from the wider context in which he was working. Most writers, following Pascoli, have divided Dughet career into three periods. His first landscapes were a little dry (Pascoli); in his second period he developed a more learned style, closer to that of his teacher, Nicolas Poussin; his late works were more intimate and more original.



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